Magician David Fox investigates…
They say the Devil has all the best tunes – and maybe there is an element of truth in this well-worn cliché. Many of the finest rock acts over the past half century are clearly indebted to the infernal influence of Old Nic himself…
Would you sell your soul to The Lord of Darkness for temporal gain? The late great Sammy Davis Jr was a celebrity member of the Church of Satan. Founded in 1966 by Anton Szandor Lavey, the legions of Lucifer have boasted several world famous luminaries among their congregation – the most recent being Antichrist Superstar Marilyn Manson!
Indeed, the 1960s heralded a new age of rebellion and decadence. Civil-rights protests, a growing spiritual re-awakening – and of course Rock and Roll music – are defining hallmarks of the era. The Rolling Stones classic ‘Sympathy For The Devil’ controversially portrays the Prince of Evil as the perennially misunderstood anti-hero. The Beatles also chose to include the self-proclaimed Great Beast 666 Aleister Crowley on the cover of their multi-platinum ‘Sgt. Pepper’s Lonely Hearts Club Band’ album in 1967.
Led Zeppelin’s lead guitarist Jimmy Page developed a deep interest in the Occult, and most notably Aleister Crowley. The English mystic’s doctrine of Thelema (Do what thou wilt shall be the whole of the law) seemed to resonate strongly in the mind of the musical genius. Page duly purchased Crowley’s former home – Boleskine House on the banks of Loch Lomond in Scotland.
The Beast had conducted a complex magical operation at the spacious manor at the turn of the twentieth century known as the Abramelin Ritual. Consequently, it was widely believed to be haunted by ghosts and demons – a terrifying legacy of Crowley’s diabolical dabblings! Curator Malcolm Dent, a close friend of Page who lived at Boleskine for several years, frequently spoke of supernatural phenomena at the residence. Visit link: Malcolm Dent at Boleskine House.
Black Sabbath would define the genre of Heavy Metal with their ground-breaking self-titled album in 1970. Deliciously dark, menacing and sinister, the riff to the title track is played in the spine-tingling tritone of G to C# which incidentally was banned by the Medieval Church for fear of summoning daemonic forces. Bassist Geezer Butler harboured a deep interest in the supernatural, and the lyrical content throughout their best known work reflects his fascination.
A new wave of heavy metal groups and rock bands from the 1970s onwards continued to explore the darker realms of our existence. From British Black Metal fore-runners Venom, to Los Angeles Thrash legends Slayer, the lyrics became more intriguing, disturbing and down-right shocking. The Devil seemed to be lurking on the periphery at all times, casting his anarchic authority over the proceedings like an ominous orchestral conductor subtly manipulating the creative strings.
In recent years, Rock and Roll music has enjoyed a sensational resurgence and is now appreciated by fans of all generations. Old Nic has been firmly accepted as part of our main-stream culture. Contemporary acts such as Queens of The Stone Age and Royal Blood frequently pay homage to icons such as Black Sabbath and Led Zeppelin – politely recognising their common infernal heritage! The Devil clearly works in mysterious ways – but is he really such a fearsome fellow? After all, ‘Lucifer‘ is actually Latin for ‘bringer of light’ or ‘The Son of the Morning Star’.
The author of the article is David Fox, a professional entertainer and freelance writer who currently resides in the UK.
Visit David’s new website at: www.davidfoxmagician.co.uk or contact him at: firstname.lastname@example.org